V/A
"NORD AMBIENT ALLIANCE" CD Reviews
From The Sekuencias De Culto webzine ( Spain)
A must!!!. I know this is a reviewer cliché,
my friend, but this is what it is. This second reference under the black
wing of the Canadian label is really a perfect example of what the generally
speaking "Dark Ambient" genre can bring nowadays. Because
this is not an ordinary compilation, I mean, this is not a bunch of
bands for the mere fact of compiling, this is a reunion where the superb
quality dominates over quantity. And the artwork!, very nice looking
indeed: the CD comes in a special packaging, designed in an oversized
textured cardboard sleeve along with 5 inserts in black and white, one
for each of the participating acts. This is limited to 1.000 copies
only, so act fast and get more info at www.cycliclaw.com But let us
start with a general review of what to be found musically here. Each
project contributes 2 compositions, and here is the list: Northaunt
(Norway), Predominance (Germany), Instincts (Canada), Kammarheit (Sweden)
and Svartsinn (Norway). Northaunt opens the gates of what is called
a 2nd cycle inside the Cyclic Law process. The Norwegians have a first
piece titled "Barren Land", a land smelling wet under the
rain, a land made up of a beautifully arranged dark melody that appears
calmly but powerful in its slowness. Controlled and slight industrial
far noises help the process of a very good composition, open land of
isolation forming a depressive but comfortable view of quietness and
cold air. "A Shadow Among Shadow" is their second contribution
and, while keeping an atmosphere of similar plainness, this is focused
under a more tense ambient surrounding. Still producing several noises
and well constructed experimentation, but a track with a more rude result
and a static ambience floating permanently. Really, a band to follow
due to their proper way of developing the "style". The well
known Germans Predominance have already a deserved reputation, thanks
to their good albums and releases through the essential L.O.K.I. Foundation
label. They bring "Trans-Atlantis" and "Dust Of Lost
Paradise". Their personal conception of dark ambient is reflected
here, working as usual with a concept inclined to the most esoteric
side of the genre, bringing tracks of oblique significance. Probably,
after listening their previous albums, these contributions are one of
their best works to date. They get a mysterious aura with each and every
form, and during "Trans-Atlantis", a voice in German recites
while cyclically some sequenced drones reiterate and a calm permanent
way advances offering a journey to times immemorial. After the hypnotising
previous track we find a harder composition, where some sound layers
take a stronger expression expanding periodically and reaching even
darker spaces. These are two different forms maybe to induce similar
paths. Now we center our aims in entering the realms created by each
Instincts composition. You can find a review of the first full album
by the responsible of this great label and compilation here in our web
site. Reading that, you can get an approximate picture of what this
excellent act can offer. "Arise" and "Revelation"
get deeper inside an undoubtedly proper concept. Frédéric
Arbour composes again two pieces of probably one of the most apocalyptic
approach we can find out there nowadays. His special way of treating
the sounds and building melodies are quite interesting, the long tracks
are really obsessive and show monumental places where everything seems
to fall apart, where there is no place for remission, and fate is already
decided. No chance of a turning back during the first title, while the
latter leads to more indefinable places with no ceased for the suffering
either. Kammarheit presents ambient industrials with ghastly noises
that come and go under a dark cloak that prolongs its existence throughout
the more than seven minute duration of "I Found It Weeping In The
Field", a composition that left no doubt that this is another act
to really follow. "Ruina" is their second contribution. Here
they approach a more tranquil zone, without forgetting a certain industrialised
concept introduced through a permanent and unmoveable black ambient.
"Devouring Consciousness" is a very good album and Svartsinn
has showed with that work that they are also one of the best acts of
the genre. They elaborate during "Yearning" static ambient
spreading a floating darkness that seem to grow in its effectiveness
with the passing of seconds. Another interesting way of developing dark
industrials with an almost permanent tension with the good virtue of
varying the structure along the track. "The Ashen Dream" is
the second title, we seem to fall in a large black hole that announces
no end while increasing the power of darkness inside. Sounds are manipulated
cunningly and they disperse through the recording increasing the effect
of falling under the its inevitable force.
This great compilation shows examples of how these five acts are all
different and original and at the same time can form a continued line
to get an album more than a compilation, showing innumerable ways of
presenting the dark ambient genre. This CD is a joint perception of
the more ethereal constructions of Northaunt, the magical oriented of
Predominance, the doom industrials revealed by Instincts, the interaction
of backing noise and permanent darkness of Kammarheit, and the deep
black permanence of Svartsinn. Once more, Cyclic Law released a masterpiece
both visually and musically. Congratulations! F. Paco González.
From the Ortus Obscurum webzine (Sweden)
The opening track by Northaunt has a very appropriate
title. Imagine a frostbitten landscape under the cold, shimmering light
of a pale full moon as blistering snow sweep over a desolate field.
Musically, this view is suggested by a hollow drone siding with a low,
serene flow of ambience. My impression may of course be individual but
it arrived before I had actually checked the title of the track. A Shadow
Among Shadows is a less easy piece of equally atmospheric Dark ambient
with a more subterranean touch. Creaking sounds, drips, and abrasive
sounds play over a hollow drone giving Northaunt’s music a very
sublime touch. The Predominance tracks aren’t as sublime as those
of Northaunt. As soon as the first track begins, a low voice starts
to speak over a slow pulsing rhythm and Noise made by ethnic instruments(?)
and synthesizer bank sounds. If you remember the Sephiroth track R’lyeh
from The Absolute Supper collection on CMI, then you know what to expect
here. These two tracks share a certain relation in sound, the only real
difference in style being Predominance use of spoken vocals. The other
track follows in a similar direction, though vocals are now omitted.
They are a bit more crude than the Northaunt tracks, not as serene and
soft but still atmospheric. Instinct presents the most depressive pieces
on this compilation. Ultra melancholic and simple music in a melodic
Dark Ambient fashion that emanate nothing but coldness and grief. The
music finds its appropriate place over the sampled howlings of cold
northwinds that Instincts has used as backdrop in the track Arise. The
melancholic serenity of the melodies are beautiful, yet I feel that
the general atmosphere is ruined by the samples, otherwise the tracks
are nice.
Swedish Kammarheit walks in similar Dark Ambient footsteps as Northaunt,
though they have chosen to omit the use of serene sounds in favour of
a more hollow ones. The sound is constituted by a low murmuring drone
that seems to be coming from some dark recess of our world - a visual
idea that is further provoked by Kammarheit’s use of crackling
sounds, wraith howls and other quite eerie sounds, flirting with the
aesthetics of the dark. Both tracks are quite homogenous and I cannot
honestly tell them apart except for some minor details. They are atmospheric
pieces that works nice when one wants to establish a dark and gloomy,
yet harsh atmosphere. For example when reading horror novels. When it
comes to Svartsinn’s contribution to this classy sampler, it definitely
bestows this compilation with its two most characteristic tracks. The
first one being Yearning, a Dark Ambient track that first seems to be
ominously soaring down the sky until the music suddenly transforms into
some flangered sound alchemy of isolated alien sounds, only to then
again mutate into a ominously piece, now with a menacing string sound
approach. Definitely computer made, Yearning is the sonic shape shifter
of the otherwise rather individually homogeneous material of this CD.
Eventually it ends in an unmelodic turmoil of low crackling noise with
creaking metal sounds on top of it all. The Ashen Dream, Svartsinn’s
terminus to this ten track journey presents yet another piece of hollow
Dark Ambient music that just like Yearning evolves in several different
directions until it finally ends. This is a nice compilation that presents
some of the younger Dark Ambient projects that have sprung out of the
North hemisphere during the last year (with the exception of Predominance
which - as far as I know - is older than the others). Along with the
very exclusive booklet, Nord Ambient Alliance is a nice compilation
that maybe not contain the stuff of the ages, nor the most original
material but definitely present above average Dark ambient music. Ectonaut
From the Seven webzine (USA)
This is the second cycle of a label that proves
to be starting a foundation point of strong dark ambient material. it
comes packaged in a fold-out heavy black card stock sleeve with five
lush cards each representing the bands that appear on this compilation.
the participants are as follows: northhaunt, predominance, instincts,
kammarheit, and svartsinn. each of those wrote their respective material
in early winter of 02, taking the listener into their own realm of abysmal
atmospheric soundscapes. the norwegian musicians known as northaunt
open this ten track compilation with two frozen soundscapes that arise
from the depths and slowly ascend with intimate transparent tones and
serrated movements. the awesome entity known as predominance unfolds
very deep atmospheres that encompass distant mystical spoken word and
waves of phantasmic air choirs with a track entitled "trans-atlantis."
gerd's second track "dust of lost paradise" moves even deeper
with foreboding and eruptive drones that descend upon desolate soundscapes
and twisting dark swells. this artist never disappoints, and always
represents some of the very best there is in serious dark ambient composition.
instincts, which i believe is also the label founder, presents two very
dark neo classical soundscapes that envelope feelings of misery with
sad undertones of organs, distant church bells, fading strings, and
piano drops driven with an illusory sense of despair. swedish kammarheit
pulls us into some very hazardous and dense textural cinematic backdrops
that would perfectly fit into any noir horror film, especially something
to the extent of elias merhige's work. svartsinn, also from norway,
presents immensely rich avalanches of brooding soundscapes, liquid turbulences,
and beautifully descending tones with the track called "yearning."
while the second track, "the ashen dream" works with more
warm drones, swirling transparent undertones, and the distant echoes
of abrasive ghosts.
this label shows us many promising things on the distant edge of the
future shadowy horizons. next to what loki foundation has been releasing
for past eleven years, i would say that this label is making all the
right steps with excellent choice of bands, artwork, and overall presentation.
From the Funprox webzine (Holland)
The new Canadian label Cyclic Law ("providers
of dark soundscapes") has not made a modest start. After an album
by Instincts/Bustum, this compilation is their second release. And again
it is a remarkable item. The music is of very high quality, delivered
by five promising acts in the dark ambient field. This ' 5-way split'
contains exclusive tracks from these northern creaters of dark soundscapes;
Northaunt (Norway), Predominance (Germany), Instincts (Canada), Kammarheit
(Sweden) and Svartsinn (Norway). The packaging also is very special.
"Nord Ambient Alliance" comes in a luxurious A5 sleeve, which
contains, apart from the cd, some splendid looking A5 cards, one for
each act involved. The music on this compilation has a lot of atmosphere.
Northaunt brings us two very calm soundscapes, with a very cold mood,
which make you think of a desolate place in Scandinavia, during bad
weather. Their second track holds your attention, because their are
many undefinable sounds in the background. Predominance, which I know
from the Saturn Gnosis compilation amongst others, creates a more ritual,
doom-ridden atmosphere, with mysterious whispered vocals and slowly
pulsating rhythms. Their second contribution, 'Dust of lost paradise',
sounds a little more threatening. It is a rather minimal, industrial
soundscape, reminding of older Lustmord material.
Perhaps my favourite pieces on this sampler come from Instincts. Highly
atmospheric, combining ambient with neo-classical. The speech samples
and the sounds of storm fit in very well with the melancholic background.
The second track from Instincts is a little slower, but very solemn
and majestic, with church bells and some desparate voices adorning the
music. Next is Kammarheit, a name I knew through mp3.com. This new Swedish
act already sounds experienced. Their two tracks are very bleak soundscapes,
especially the second one is very nice. I imagine it being used as a
soundtrack for an apocalyptic movie, in which the earth has collapsed
and you are watching shots of dust and debris. A whole Kammarheit album
will appear on Cyclic Law later this year. The last act on the cd is
Svartsinn, just like Northaunt from Norway. Deep drones and scary sounds
arising from the shadows, but combined with more melodic, atmospheric
elements, makes this interesting listening material. A very dark sound,
with some extreme frequencies. Earlier this year Svartsinn released
its debut album on Eibon Records. This compilation brings together some
very talented dark ambient artists, and gives you a splendid dark trip
for over an hour!